Ask for one process-level observation: what changed, why it changed, and what to try next.
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Brief cues stay optional for quiet rooms, headphones, and sensory-sensitive practice.
Name how the sound is made, open a source note, then decide whether the lesson has enough context.

synthetic bowed two-string slide and sustained tone comparison
Practice one Erhu technique target, compare two attempts, and explain the musical evidence.
Ask for one process-level observation: what changed, why it changed, and what to try next.
No sacred, ceremonial, or living-community music is imitated without approved sources and review.
Glissando and vibrato become visible pressure, slide, and sustain choices.
More bow weight makes the start stronger, but the tone still needs a smooth release.
Use this as a mechanics model only; real erhu style needs performer, repertoire, and source context.